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THE QUEST FOR IDENTITY IN MIDDLE ENGLISH LITERATURE :THE MATTER OF NEGOTIATIONS

المؤلف WAJIH AYED
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The of the quest for personal identity in Middle English literature exercised critics and polarised their views, but diverging critical perspectives converged on the misconception of the medieval subject as a self-unconscious member of a supposedly organic body politic free from cultural friction Across the terrain of critical contest and in line with recent orientations in medieval studies, I argue for the existence of subjectivity in English literature in the later Middle Ages. My central contention is that self-fashioning depends on the clever interaction of the self-styling subject with the cultural parameters generating medieval selfhood. Because the search that departs from cultural normativity is usually contained, the quester who resourcefully reacts to the trammels imposed by the orthodox constructions of identity achieves a measure of success in self-fashioning. Scrutiny of key Middle English literary texts, particularly, The Canterbury Tales, The Book of Margery Kempe, Piers Plowman, and Le Morte D'Arthur, shows that the optimal quest for identity is a matter of negotiations.

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